At the risk of over-saturating your holidays with Nutcrackers, I thought I’d continue what I started Wednesday and offer a few more variations on a theme.
Picture book retellings of the story:
This retelling is from the ballet, and many of the illustrations make you feel like you are on stage with the dancers, a perspective I sometimes found myself wishing for when I had to sit at the back of an auditorium.
This is another retelling from the ballet, although I recognized more elements from E.T.A. Hoffman's story, and the pictures alternate between stage settings and a more fairytale-like setting.
This is a nicely-done reader that walks the reader through the ballet.
E. T. A. Hoffman's fairytale:
Nutcracker
This book started with the production Sendak designed for the Pacific Northwest Ballet in 1983. He wanted to do something that was more true to Hoffman's tale, and ended up creating this book, as well, which uses Hoffman's text and is darker and more complicated than the ballet version (which is usually based on a version of Hoffman's story written by Alexandre Dumas).
I discovered, too, that Maurice Sendak wasn't the first American to try to bring back E. T. A. Hoffman's story. I don't have any links for you, but if you can find it, The Nutcracker of Nuremburg: A Christmas Fantasy Based upon the Old Hoffman Legend, written and illustrated by Donald E. Cooke (John C. Winston Company, 1938, 148 pp.) is another retelling of Hoffman's story (as opposed to a retelling of the ballet), and is worth looking into.
Books about dancing in the Nutcracker Ballet:
Lili on Stage by Rachel Isadora, G. P. Putnam and Sons, 1995
This is a story about a girl who performs in the ballet as a guest in the first scene. It follows her backstage, warming up, putting on makeup and costume, and shows the behind-the-scene activity of a ballet production. The text is simple, but it gives a good idea of what it is like to be part of a ballet performance.
A Very Young Dancer by Jill Krementz, Alfred A. Knopf, 1985, is a more detailed, true-life portrayal of a girl who is chosen to play the part of Mary in a Balanchine production of The Nutcracker with The School of American Ballet. The author follows a girl named Stephanie through auditions, rehearsals and performances of The Nutcracker, giving a first-person account of what the experience is like.
The Music of The Nutcracker:
One more variation: